Talks

Curating in Feminist Thought: Dorothee Richter

Feminist Perspectives on Curating and a case study

Symposium Curating in Feminist Thought
Friday 6th of May 2016 at Migros Museum
Saturday 7th of May 2016 at Zurich University of the Arts

See all contributions here: https://vimeo.com/album/4426824

Dorothee Richter is Professor in Contemporary Curating at the University of Reading, UK, and head of the Postgraduate Programme in Curating, CAS/MAS Curating at the Zurich University of the Arts, Switzerland; She is co-director with Susanne Clausen of the Research Platform for Curatorial and Cross-disciplinary Cultural Studies, Practice-Based Doctoral Programme, as well as the publisher of the web journal OnCurating.org; Richter has worked extensively as a curator: she was initiator of Curating Degree Zero Archive, which travelled to 18 venues in Europe; Curator of Kuenstlerhaus Bremen, at which she curated different symposia on feminist issues in contemporary arts and an archive on feminist practices, including Materialien/Materials; recently she directed, together with Ronald Kolb, a film on Fluxus: Flux Us Now, Fluxus Explored with a Camera (Staatsgalerie Stuttgart 2013, Akademie der Bildenden Künste in Wien, 2014, Kunsthochschule Hamburg 2014, Gesellschaft für Aktuelle Kunst, Bremen, 2014, Kunstverein Wiesbaden 2014, University of Reading 2013, Migros Museum für Gegenwartskunst, Zürich, 2013; Kunsthalle Sao Paolo, 2014; Ostwall Museum Dortmund, 2015, Kibbutz College Tel Aviv, 2015; Universität Lüneburg; 2015; Museum Tinguely in Basel, 2015, Lentos Museum in Linz, 2016), and she is working at the moment on a video archive on curatorial practices together with Ronald Kolb, a collaboration with the ZHdK and the ZKM Karlsruhe.

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Concept by Elke Krasny, Lara Perry, Dorothee Richter
With contributions by Amelia Jones, Maura Reilly, Helena Reckitt,
Sigrid Schade, Dorothee Richter, Lara Perry, Elke Krasny,
Hilary Robinson, Stella Rollig, Lina Džuverović and Irene Revell,
Laura Castagnini, Susanne Clausen, Michaela Melian, Nkule Mabaso

Videoprogramme with works by Martina Mullaney, Szuper Gallery,
Plan C, Liv Wynter, Louise Fitzgerald, PUNK IS DADA

Curators and their partners are working in a contested field, in which
the meanings of institutions, their power structures and modes of
participation can be debated and reshaped. “To think of institutions in terms of production (of work and discourse and political practice and solidarity) instead of representation would be, to my mind, a first feminist step”. With this provocation the curator Ruth Noack invited us in 2013 to rethink the nature of feminist critique of the museum, the gallery, the exhibition space. Is access to the representational space of the museum a meaningful or adequate tool for feminism? Can such occupations mobilize sufficient means to reform the social function of exhibition? In recent years the role of the curator has increasingly become identified with “the new economic conditions that require new contexts of collaboration and interaction” (Olga Fernandez), conditions which are identified with celebrity and authority as well as precarity and casualization. What is the gendered nature of the power relations, effects, inconsistencies and contradictions of curating in the present? And how can feminism help us to rethink the role of the curator?