Talks by

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Helena Reckitt with Gabrielle Moser

Against Structurelessness: the resonance of 1970s and 1980s feminisms on current collective work

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Maayan Sheleff

Echoing with a Difference––Curating Voices and the Politics of Participation

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Mekhala Dave

Ocean in Us: Rights and Relations

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Sonja Lau

Guilty, guilty, guilty! Towards a Feminist Criminology

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Installation view of “Composting Knowledges” with various remnants of passed artistic events by Mabe Bethônico, fffff (hosted by Leah Nehmert, Mariana Murcia and Laurie Mlodzik), Institute for Plant, Animal and Human Migration (Stefanie Knobel & Samrat Banerjee), James Jack/ Donkey Mill Art Center, Anne-Laure Franchette, Alina Kopytsia, Club La Fafa, Maya Minder (HumusSapiens) staged on Stirnimann-Stojanovic’s “MODULAR STRUCTURE”, 11 June 2022, OnCurating Project Space. Photo: Anja Wurm.

Ronald Kolb

Post-Exhibitionary Practices. A methodological journey to contemporary forms of knowledge production called exhibitions.

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Sascia Bailer

Transforming the Arts with Feminist Care Ethics

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Photo: Flavio Karrer.

Phila Bergman & Thea Reifler

ProtoZone

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Screenshot from Screen Walks Folders

Anna Konstantinova

 Talk on Digiral art and online curating

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Stephan Trüby

RIGHT-WING SPACES

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Talks on Curatorial Practice CAS/MAS Curating | Summer Term 2023 Zurich University of the Arts https://www.zhdk.ch/veranstaltungen All Talks held in English. All times CET/CEST. Watch it via the Curating Facebook page: www.facebook.com/pp.curating Courtney Desiree Morris, Bendición – A ritual performance offering, 2023 at the opening of the exhibition "Remedios: Where new land might grow” C3A Centro de Creación Contemporánea de Andalucía, Córdoba. Photo: Lourdes Cabrera Repairing with cruel optimism Daniela Zyman Responding to the growing desire to change the world as it currently is, a world haunted by supremacist ideologies, misuse of power, and environmental devastation, artists and cultural practioners are turning to practices and methodologies of repair, re-enchantment, and healing. Reparative, curative, and restorative commitments engage with ceremonial and sacramental practices, the purification of the spirit, the cadences of the body, or the curative articulations of language, sacred shapes, materials, and symbols. Others direct their care to the land, the environment, and the collective intelligence of their respective communities. And still others attend to the reparation of scars and traumas resulting from past injuries and present anxieties. “Repairing with cruel optimism“ retraces some propositions that guide the post-critical and affectual engagements with reparative labor, specifically its enthusiasm for non-Western thought and practices, embodied and affective expression, and spiritual and mythical reality therapies. While they offer new possibilities and intellectual alternatives for testing out our individual and collective engagements, I also want to reflect and expand on Lauren Berlant’s “cruel optimism”, which “involves a sustaining inclination to return to the scene of fantasy that enables you to expect that this time, nearness to this thing will help you or a world to become different in just the right way.” The kinds of “returns” I want to problematize locate the “scene of fantasy” in the distant, remote, trans-temporally or spatially disconnected or else in the own affective body, which are then brought into “nearness” (proximity) without considering fully the complications of such attachments. Daniela Zyman is artistic director of TBA21 Thyssen-Bornemisza Art Contemporary. She joined TBA21 in 2003 and has been instrumental in co-shaping its exhibitions and commissions program. Between 1995 and 2001 Daniela was chief curator of the MAK – Austrian Museum of Applied Arts / Contemporary Art in Vienna, which included the founding and programming of the MAK Center for Art and Architecture in Los Angeles. From 2000 to 2003 she worked as the artistic director of the Künstlerhaus, Vienna and as director of A9 Forum Transeuropa. Daniela is an adjunct lecturer at the University of Art and Industrial Design in Linz, and regularly writes essays for art publications. Her many years of research into forms of artistic "counter-research" led to a doctoral thesis in 2020. Since 2022 she has been curating on behalf of TBA21 a series of exhibitions at C3A Centro de Creación Contemporánea de Andalucía, including the exhibitions Abundant Futures and Remedios: Where new land might grow, and co-curating of the performance assembly “The Journeying Stream” together with Sofia Lemos.

Daniela Zyman

Repairing with cruel optimism

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Excerpt from the artistic archive on gender relations in art by Elisabeth Eberle, 2010-2021

Elisabeth Eberle

MIND THE GAP!

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Les Frères Chapuisat, Charpentification, 2021 © Michel Giesbrecht

Yasmin Afschar

Nouveaux Commanditaires – Art that does something

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Tết in Dakar, 1959 Medium: Digital c-print. Black and white. Photograph from the collection of Jean-Claude Do, taken circa 1959

Fatima Bintou Rassoul SY

The Specter of Ancestors Becoming

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Alistair Hudson

Art Beyond Art and the possibility of the Post-Exhibitionary

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Joanna Leśnierowska

Can choreography change the world?

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Discussing documenta fifteen with Nora Sternfeld

Discussion on commons, contact zones, infrastructures in the light of documenta fifteen

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Julieta Aranda

Curatorial Talk

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Sandi Paucic

The Swiss presence at the Venice Biennale of Art and Architecture

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Stefanie Hessler

Sex Ecologies – Curatorial Talk 

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Jan Boelen

Curating and Designing the Final Escape! 

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Angelika Richter

Recollecting Artistic Practices

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Anne Duk Hee Jordan

Artist Talk

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Mareike Dittmer

Public Engagement at TBA21-Academy

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Antonio Cataldo

Exhibitions as A Stage of Appearance: Of vision and being seen, of listening and being heard

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Philip Horst

GLOBAL MEETS LOCAL

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Fernando Garcia-Dory

Applied arts in agro-ecology 

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Elena Agudio

The Labour of Curating and Its Politics of Affect

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Thea Reifler and Phila Bergmann

PROTOZONES  2020–2025

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Boris Magrini

Curatorial Talk

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Stefan Kaegi

Of transplanted experts and remote-controlled spectators

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Eduardo Kac

TELEPRESENCE, BIO ART & SPACE POETRY

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ruangrupa (Reza Afisina, Mirwan Andan), Tyjuki Imamura

Curatorial Talk

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Daria Mille

Exhibition “Critical Zones. Observatories for Earthly” Politics as a hybrid museum experience

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Nora Sternfeld

Collections as Commons.

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Sören Grammel

Curatorial Talk

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Michelle Wong

Curatorial Talk

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Charles Esche

Demodernising Curating

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Elke Krasny

Critical Care. Architecture and Urbanism for a Broken Planet

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Eric Golo Stone

The Political Economy of Art Institutions: Almost Everything still Remains to be Done   

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Hajnalka Somogyi

OFF-Biennale Budapest

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Michael Birchall

Exhibition as research

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Annette Bhagwati

Curatorial Talk

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Christine Kaiser

Research Methodology in Practice

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Lívia Nolasco-Rózsás

Towards the Virtual Condition

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Sabine Gebhardt-Fink

Revolving Histories of Performance\Art*

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Lisa Rosendahl

The Ghost Ship & The Sea Change:  how to turn an archaeological dig into a building site for the future

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Anna Kontopoulou

Curatorial Talk

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Paz Guevara

How do exhibitions perform? How to listen?

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Ana Paula Cohen

Revisiting the 28th Bienal de São Paulo – in living contact

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RAQS Media Collective

Between 2 Triennales are 1000 Days

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Johan Hartle

Corona / Spectacle

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Detox Dance by Roma Jam Session art Kollektiv

Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency

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Ekaterina Degot

Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency

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Ioana Leca 

Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency

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minim (Diana Dulgheru)

Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency

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Mirjam Varadinis

Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency

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Yung Ma

Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency

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Patrick D. Flores

Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency

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Beat Wyss

Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency

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Henk Slager

Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency

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minim (Diana Dulgheru)

Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency

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Martin Guinard-Terrin

Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency

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Vasyl Cherepanyn

Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency

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Delia Popa

Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency

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Nora Sternfeld

Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency

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Farid Rakun

Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency

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Oliver Marchart

Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency

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Dorothee Richter & Ronald Kolb

Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency

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Sergio Edelsztein

Curatorial Talk

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Nadine Wietlisbach

Forever is composed of nows. Mapping of a practice between curiosity and apprehensibility

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Damian Jurt

The Real Displaces Speculation

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Martin Guinard

Observatories for Earthly Politics

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Viktor Neumann

Sick Times

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Nina Roehrs

Art and (Digital) Reality

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Yasemin Keskintepe

Curating and the digital commons

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Daniel Morgenthaler

Saving Safe Space

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Berit Fischer

How can the Curatorial Activate a Holistic and Micropolitical Making of Social Empathy; an Approach on Post-Representational Curation

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Sabine Himmelsbach

Curatorial Talk

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Helena Reckitt

Helena Reckitt: Reading Together as Feminist Practice

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Yvette Mutumba

Curatorial Talk

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Sören Grammel

Research and Display

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Mirjam Bayerdörfer

The meat section in the supermarket is invisible to me

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Steven Madoff

What about Activism?

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Chto Delat

When Emotions become Form

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Henk Slager

The Post-Research Turn

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Cesare Pieroiusti

Artistic Talk

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Gilly Karjevsky

Should Sites Have Standing? Curating Bio-Relational Spatial Practice

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Farid Rakun (ruangrupa), Antonio Cataldo

What does it mean to deal with the unknowns?

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Ines Kleesattel

Situated Aesthetics in Relational Matters How Relational Artistic Research challenges Art Theory and Criticism

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Quinn Latimer

Like a Woman: Writing and Editing as a Feminist Project

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Yung Ma

Curatorial Talk

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Sylvia Sasse

Artist & Agents. Counter-Actions by Secret Services in the Soviet Union and GDR

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Maria Lind

Future Light: or is A New Enlightenment Worth Considering?

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Zasha Colah

Curatorial Talk

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Adam Szymczyk

Curatorial Talk on Documenta 14

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Stella Rollig

GIVING SPACE TO WOMEN DONNA HUANCA AT BELVEDERE VIENNA

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Sally De Kunst

Re-invent the residency

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Antonio Cataldo

Why are images after us?

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Rory Rowan

Contesting Anthropocene Futures

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Dorothee Richter and Pau Waelder

Curating as a reflection of the digital society

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Sabih Ahmed

Notes from the 11th Shanghai Biennale

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Joanna Warsza

How to make art go public? On the dilemmas of art, politics and public sphere

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Claire Farago and Donald Preziosi

Ways of Seeing Otherwise: Honoring John Berger in the Now-Time

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Edgar Schmitz

Talk: Choreographic and Free Indirect Style

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Yvonne Apiyo Brändle-Amolo, Katharina Morawek and Olga Stefan

Stranger in Paradise – Scenes of Migration in Switzerland

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Dorothee Richter

Kuratieren contra Vermitteln – das Ringen um Deutungsmacht in einem verworrenen Feld

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Discoteca Flaming Star

Artistic Talk Memory and Monstrosity

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Pau Waelder

Curating New Media Art: a blue-collar approach to working with process-based, interactive and immaterial artworks.

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Felix Stalder and Cornelia Sollfrank

Creating Commons – and creating commons-based exhibition formats

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Sergio Edelsztein

Curatorial Practice: Founding an Institution

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Daniel Kurjaković

Curatorial Talk: The Road-Movie of Curating

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Alkisti Efthymiou

How to Take Care of your Voice: Exhaustion and other Habitual Affects in Working within large-scale Art Institutions

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Max Glauner

Curatorial Talk Participate Now! Challenge the Arts

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Andrea Linnenkohl

Curatorial Practice

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Oliver Ressler

Everything’s coming together while everything’s falling apart