Helena Reckitt with Gabrielle Moser
Against Structurelessness: the resonance of 1970s and 1980s feminisms on current collective work
Maayan Sheleff
Echoing with a Difference––Curating Voices and the Politics of Participation
Ronald Kolb
Post-Exhibitionary Practices. A methodological journey to contemporary forms of knowledge production called exhibitions.
Discussing documenta fifteen with Nora Sternfeld
Discussion on commons, contact zones, infrastructures in the light of documenta fifteen
Antonio Cataldo
Exhibitions as A Stage of Appearance: Of vision and being seen, of listening and being heard
Daria Mille
Exhibition “Critical Zones. Observatories for Earthly” Politics as a hybrid museum experience
Charles Esche
Demodernising Curating Weiterlesen
Eric Golo Stone
The Political Economy of Art Institutions: Almost Everything still Remains to be Done Weiterlesen
Annette Bhagwati
Curatorial Talk
Weiterlesen
Christine Kaiser
Research Methodology in Practice Weiterlesen
Sabine Gebhardt-Fink
Revolving Histories of Performance\Art*
Weiterlesen
Lisa Rosendahl
The Ghost Ship & The Sea Change: how to turn an archaeological dig into a building site for the future Weiterlesen
Paz Guevara
How do exhibitions perform? How to listen?
Weiterlesen
Ana Paula Cohen
Revisiting the 28th Bienal de São Paulo – in living contact Weiterlesen
Detox Dance by Roma Jam Session art Kollektiv
Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency Weiterlesen
Ekaterina Degot
Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency Weiterlesen
Ioana Leca
Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency Weiterlesen
minim (Diana Dulgheru)
Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency Weiterlesen
Mirjam Varadinis
Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency Weiterlesen
Yung Ma
Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency Weiterlesen
Patrick D. Flores
Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency Weiterlesen
Beat Wyss
Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency Weiterlesen
Henk Slager
Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency Weiterlesen
minim (Diana Dulgheru)
Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency Weiterlesen
Martin Guinard-Terrin
Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency Weiterlesen
Vasyl Cherepanyn
Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency Weiterlesen
Delia Popa
Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency Weiterlesen
Nora Sternfeld
Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency
Weiterlesen
Farid Rakun
Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency
Weiterlesen
Oliver Marchart
Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency
Weiterlesen
Dorothee Richter & Ronald Kolb
Conference: Contemporary Art Biennials – Our Hegemonic Machines in States of Emergency
Nadine Wietlisbach
Forever is composed of nows. Mapping of a practice between curiosity and apprehensibility
Berit Fischer
Sören Grammel
Research and Display Weiterlesen
Ines Kleesattel
Situated Aesthetics in Relational Matters
How Relational Artistic Research challenges Art Theory and Criticism
Sylvia Sasse
Artist & Agents. Counter-Actions by Secret Services in the Soviet Union and GDR
Joanna Warsza
How to make art go public?
On the dilemmas of art, politics and public sphere
Claire Farago and Donald Preziosi
Ways of Seeing Otherwise:
Honoring John Berger in the Now-Time
Yvonne Apiyo Brändle-Amolo, Katharina Morawek and Olga Stefan
Stranger in Paradise – Scenes of Migration in Switzerland
Dorothee Richter
Kuratieren contra Vermitteln – das Ringen um Deutungsmacht in einem verworrenen Feld
Pau Waelder
Curating New Media Art: a blue-collar approach to working with process-based, interactive and immaterial artworks.
Felix Stalder and Cornelia Sollfrank
Creating Commons – and creating commons-based exhibition formats
Alkisti Efthymiou
How to Take Care of your Voice: Exhaustion and other Habitual Affects in Working within large-scale Art Institutions